Showing posts with label CVA. Show all posts
Showing posts with label CVA. Show all posts

Friday, September 3, 2010

CVA to open "Soaring Voices" exhibit, highlighting ceramics by Japanese women

The CVA will soon feature the incredibly beautiful and elegant exhibition Soaring Voices: Recent Ceramics by Women from Japan. This exhibition features 87 works by 25exceptional women artists who reflect Japan’s rich and innovative ceramic culture. Attached is a press release with further information.

EXHIBITION DATES: September 9 – November 6, 2010

OPENING RECEPTION

Thursday, September 9th

6-7 pm: Private reception and exhibition tour for CVA members and special guests

7-9 pm: Public Reception

WORKSHOP

Thursday, October 21, 5-7 pm

Learn about Japanese culture and art while creating small contemporary works of art in ceramics, jewelry and sculpture. Led by Yuko Yagisawa, MSCD Associate Professor, Jewelry Design and Metalsmithing and Tsehei Johnson, MSCD Visiting Assistant Professor, Ceramics. This workshop is free and open to the public, but space is limited! Please call 303-294-5207 x111 or respond to this e-mail to RSVP.

EXTENDED HOURS

First and third Friday district art walks open until 8 pm

Saturday, November 6- Denver Arts Week “Night at the Museums” open until 10 pm

Please visit www.MetroStateCVA.org to learn more about our education outreach programming, or to make a donation today.
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Monday, August 23, 2010

Final MERGE profile: Dave Seiler


Dave Seiler’s ('95, art) work is primarily about the human condition, from an interactive point of view, he says. “I tend to construct my work to appear old and from another time to show a history as a way to get the viewer to realize that the history that came before them is still valid and the everyday ‘things’ they use day to day had an object or mechanism that preceded it and was just as valid as what they are using today.”

Metro State: Tell me about your latest work and why you are inspired by it?
Dave Seiler: My latest body of work revolves around pre-cinema, the time before motion pictures, moving pictures. I have been interested in machines since childhood and mostly interested in old films and the machines that brought them to life.

MS: In what ways did your Metro State professors influence your work?
DS: To build your own tools and idea's along with the thought to do "everything because Piccaso did, so why shouldn't you?"

MS: How has your work evolved since you graduated?
DS: Since graduation my work has become more interactive. This was a result from my day job as a security guard in a museum, where it was my job tell inform and keep them from physically interacting with the art work. Later I came to believe in the integral importance of having the viewer touch and to "play" with the art as a way for the viewer to gain greater insight into to the artist was expressing.

MS: Tell me why you submitted the pieces that you did for MERGE?
DS: The piece's that I had submitted to Merge were the newest piece's on my bench or have never been seen out of the studio before, such as the case with the piece chosen for the Merge show.

MS: How do you feel about this opportunity to present your work for Metro State’s new CVA facility?
DS: I think its an awesome, this is a very beautiful space and am very pleased to see that Metro State and CVA finally have a place to call their own.

MS: Is there anything I’m not asking you that you want to share with me?
DS: The use of machines and or the mechanical movements in my work are about the human. All of those early machines and movements are based on how and the way humans move. I think most if not all artist's either reference or use the human body in their work, the work that I am producing is just my expression of that idea.

To see more of Seiler’s work, visit his Web site.



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Last week of MERGE Alumni Exhibition! Read about featured artist Merlin Madrid


Denver-raised Merlin V. Madrid says: “Art-making, which is essentially a solitary act, allows me to tell stories, reclaim memories, secrets, and enthusiasms and sometimes disappointments. It embodies a process for me, which is both personal and ancestral. My art happens as a result of this process and in the end it is a vehicle for learning.” Equipped with a BA from Metro State and an MFA from the University of Colorado, Madrid teaches photography and has been doing so for a decade. She hopes to one day become a full-time professor.

Metro State: Tell me about your latest work and why you are inspired by it?
Merlin Madrid: I am currently working on sepia-toned silver print images. This personal visual narrative is an on-going exchange with my family roots in the San Luis Valley of Colorado and in particular, the memory of the teachings passed on by my ancestors. The image suggests the unveiling of both present day reality and ancestral knowledge as they relate to Chicano culture. It is a photographic arrangement of objects that deals with traditional shrine-making and the communication between realities. It is a search for a spiritual answer to complex questions.

Created with flickr slideshow from softsea.

MS: In what ways did your Metro State professors influence your work?
MM: When I was a student I was expected to develop a subject matter and a language characteristic of my own enterprise. I was encouraged to begin to develop a visual shorthand; and it was impressed upon me the importance of photographing habitually. And I took these lessons and made them part my art making practice. I also have handed down these lesson to my own students. I require my students to reinforce their chosen concept by tapping resources such as literature, history, ethnicity and culture, personal histories, memories and dreams. The hope is that the student starts to acquire and develop his or her own imaginative powers and begins to understand his or her art in a worldly historical context. Ultimately I encourage my students to be true to (honor and trust) their own individual experiences, and to see that their efforts are their successes.

MS: How has your work evolved since you graduated?
MM: When I first began photographing, I would try to take photos of the things I would see. Today my work is more of a process of communicating thoughts, ideas and events and my work is more about processing and arranging object symbols to represent ideas. My work is less about finding pictures to take and more about taking pictures I make.

MS: Tell me why you submitted the pieces that you did for MERGE?
MM: I submitted the pieces I did because I wanted this body of work to be seen together.

MS: How do you feel about this opportunity to present your work for Metro State’s new CVA facility?
MM: The new space is great and it will be wonderful to be represented in this show.

MS: Is there anything I’m not asking you that you want to share with me?
MM: Luna Dreams I, is the image that was selected for the merge show. This image is a topographic portrait of a family member and the map embedded in the figure is of southern Colorado. The use of the moon represents the thoughts, dreams, or ideas in our head. This image is just one print from a much larger body of work, which is expanding and transforming in time. The whole body of work is meant to be a conversation with the viewer and each image is a fragment of that exchange.

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Last week to catch MERGE Alumni Exhibition! Read about artist Claudia Roulier


Claudia Roulier is a collector. “I collect things,” she says. “Old things, found things, used things, odd things, creepy things, and unloved things. I collect pictures and ideas some which appeal to my darker cynical side, and use all of these collections in my work.” Roulier has shown her work through Denver, and recently had a show in New Mexico. She makes it a point to be in at least one show per month, though usually more, and they are typically juried, though sometimes she is invited. She was most recently in the Cherry Creek Art Festival. Metro State caught up with Roulier recently to ask her a few questions about her MERGE 2010 Alumni Exhibition submission and various other things.

Created with flickr slideshow from softsea.

Metro State: How would you characterize your art?
Claudia Roulier: My art runs the gambit from whimsical to whimsy with an edge which tip toes into the realm of shadows and nightmares. My assemblages are definitely more sinister than the paintings. I love using found objects and vintage photos. The sizes vary from tiny tins all the way up to full sized beasts. With my paintings I specialize in using many collage layers, incorporating vintage paper, photos and sometimes objects. Because I use many different mediums, pencil, acrylic paint, oil pastels, vintage paper and photo transfers I finish them with a resin coating. If I would have taken a different course in school I probably would be called an illustrator today.

MS: Tell me about your latest work and why you are inspired by it.
CR: I am, first most and always inspired by images and juxtopostioning of images and ideas in both the assemblage work and my paintings. I have always been image oriented and that's how I work. I like putting odd things together in such a way that they look almost married. I look through old photos that I collect and image searches on the net to get the bones of what I want to do.

MS: In what ways did your Metro State professors influence your work?
CR: I was an older student and very involved with creating at the time, I wanted to be there and took it seriously. I soaked up everything that I could. I was heavily influenced by Barbara Houghton, my photo teacher who pushed us to explore images and the creating of them in many alternative ways. I still have that love of images and experimentation. Craig Marshall Smith instilled craftsmanship and a love for tiny details, which remind me of dessert, it just finishes off the meal to perfection. I was scared to death to come to a critique unprepared and with an uninspiring project that carries over to now. Rodger Lang was my ceramic teacher. I absolutely adored him and worked very hard in the area of ceramic sculpture and that carries over in my work today, although I don't always work in clay. But I'll always remember form and function.

MS: How has your work evolved since you graduated?
CR: I think I was a pretty good student and I am just now getting back to the level I was at in school. I never painted in school, so that was intimidating and to this day I consider myself a drawer not a painter I simply use paint as a tool, but a tool I can't live without! I have always been drawn to the things that populate side shows, horror movies and nightmares. Some of that is tamed by some of the more whimsical stuff I do, but it's there, still.

MS: Tell me why you submitted the pieces that you did for MERGE.
CR: I actually submitted my three latest works by design I wanted my freshest most recent work. Only one got in but that's okay with me!

MS: How do you feel about this opportunity to present your work for Metro State's new CVA facility?
CR: I love this new facility and it's right across the street from a co-op, Core New Art Space, that I belong to. It's just great to have something like this on the strip. It's a great place to show and it has a lot of credibility, the remodel is absolutely stunning.

To see Roulier’s work, visit her Web site.

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Friday, August 20, 2010

MERGE Alumni Exhibition Featured Artist: Kyle Wimmer



Whether he’s teaching kids or creating a work of art Kyle Wimmer finds passion in all that he does. According to a fellow teacher Jean Schneider, “Kyle encourages more critical thinking and expression than any language arts class and inspires more creativity than in any course we offer in middle school.” The Office of Alumni Relations recently interviewed Wimmer about his work.

MS: What is your latest work like, and in what ways does it inspire you?
KW: I would consider my art in search of the "new." I try to create art that progresses art and also challenges the viewer to become emotionally charged; to have them think about what they are looking at.

My most recent works are inspired by Olafur Eliasson, Tara Donovan and Gabriel Orozco. I have drifted away from painting in the past couple of years. I am inspired by artists that push the boundaries of art.

MS: In what ways did your Metro State professors influence your work?
KW: I have David Clark, Sandy Jones (RIP), and Craig Marshall Smith vividly stuck in my head as influential people for my work—all for very different reasons. But most notably in my style, especially considering the piece entered, it is obvious I like Smith's work. David influenced me with his calm demeanor and Sandy with her passion and faith.

MS: How has your work evolved since you graduated?
KW: As I mentioned, I have drifted away from drawing and painting and I am working on my master’s of arts in liberal studies with concentration on visual art and design at DU, so I am definitely more contemporary now than I have ever been.

MS: Why did you submit this particular piece for MERGE?
KW: I submitted the piece I did because it is fairly recent, but also because of the direct tie to the Craig Marshall Smith style and i thought the show would be a perfect way to display it.

MS: How do you feel about this opportunity to present your work for Metro Stateís new CVA facility?
KW: I don't make art as much as I would like. I am a teacher, a father of three, a husband and a coach, so I don't try to get my work into galleries etc. When I found out about the show and when I got in, I was ecstatic! It was one of the proudest moments in my art career.

MS: Is there anything Iím not asking you that you want to share with me?
KW: I was awarded “Outstanding Rookie Art Educator of the Year” by the Colorado Art Education Association.

Tuesday, August 10, 2010

MERGE 2010 Alumni Exhibition featured artist, Carolin Rutsche


Influenced by Lyonel Feininger, Carolin Rutsche (’09, art) creates her work from her surroundings, including the architectural details of buildings in her proximity, interesting negative spaces, and colors. A professional artist, she has shown here work at the Denver International Airport, the Core New Art Space in Denver's Santa Fe Art District and other local art galleries. She finds inspiration for her paintings through her travels.

Created with flickr slideshow from softsea.

Metro State: How would you characterize your art?
Carolin Rutsche: Urban Abstract Contemporary Precisionism (Cubist Realism) paintings in oil and watercolor

MS: Tell me about your latest work and why you are inspired by it.
CR: My current work is narrative in quality and depicts places of transportation of my past in Berlin, Germany. Locations I regularly travelled to represent starting points, crossing points and destinations. The paintings reveal images from memory, the train and subway stations of Berlin that were once part of my daily life … I see through a geometrical lens in which the picture plane is broken up by dividing lines and shapes similar to the precisionist style.

MS: In what ways did your Metro State professors influence your work?
CR: They influenced my work immensely. Amy Metier has always pushed me to go beyond of what I thought I could accomplish. She was a constant inspiration in all aspects of [my life as an artist], instilling an incredible work ethic and having an abundance of knowledge and wisdom to give. Anna Kaye’s knowledge and power of teaching was equally impressive, as well as Linda Sanchez’ infectious love and enthusiasm for art history that got me thinking of a double major. So many professors had so much to give. [There is] not enough time and space to list them all. They were great!

MS: How has your work evolved since you graduated?
CR: It is still evolving. Just shy of my graduating semester, I finally found myself as an artist and I am still “refining myself” and am enjoying the process very much!

MS: Tell me why you submitted the pieces that you did for MERGE.
CR: It is a piece from my “Transit Memories II” series. It represents my current body of work very well.

MS: How do you feel about this opportunity to present your work for Metro State’s new CVA facility?
CR: It is exciting! Metro has found a new permanent home in the Santa Fe Arts district and I am honored to be able to be a part of a great group of alumni for this exhibition to celebrate its last 20 years and a new beginning.
For more information, visit Rutsche’s website. www.CRutsche.com

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Friday, August 6, 2010

MERGE featured artist Jennifer Ghromley

Jennifer Ghormley (‘02, art) is this Friday’s featured MERGE artist. The MERGE: 2010 Metro State Alumni Exhibition runs through Aug. 18 at the College’s new Center for Visual Art. Alumni who wish to join the CVA get a 20% discount through that date. For more info on MERGE, click here.

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Equipped with both a BFA and an MFA, which she received in printmaking from the University of Nebraska in Lincoln, Ghromley currently teaches at Metro State and is the studio manager of Anderson Ranch Print Editions at Anderson Ranch Art Center, Snowmass Village, Colo. She also shows her work through national juried exhibitions and invitations.

Ghormley employs a variety of techniques in her translation of ideas into works of art, including using her body. “Making work about being here in the body, I dissect and reassemble my own form in expressive ways, to universalize the female body as a generic representation of humanity,” she wrote in a recent email. The Office of Alumni Relations recently caught up with Ghormley to chat a bit about her experience at Metro State and her participation at MERGE.

Metro State: How would you characterize your art?
Jennifer Ghormley: Sometimes I feel like the outsider may view my work as all over the place visually. I utilize printmaking techniques, photography, fabric, stitching, really whatever I feel like the work is telling me it needs, and I have a consistent color palette. My work is about the body, in both a personal and universal context.

MS: Tell me about your latest work and why you are inspired by it.
JG: For this body of work I was interested in juxtaposing figurative silhouettes with decorative imagery. These pieces have their own intimate spaces, full or decadence and intriguing detail. Working with the figure is both a personal and universal expression.

MS: In what ways did your Metro State professors influence your work?
JG: My professors pushed me to make more/better/different. This instilled in me a strong work ethic and never-ending desire to keep making work, keep creating and pursuing that which I am passionate about.

MS: How has your work evolved since you graduated?
JG: After my graduation from Metro, I went to on graduate school at University of Nebraska - Lincoln. The intense pressure of graduate school pushed me and my art to new levels and heights. I graduated top in my class, and received the Francis William Vreeland Graduate Award and the Thomas P. Coleman Memorial Award for my creative research.

MS: Tell me why you submitted the pieces that you did for MERGE.
JG: I wanted to show my newest work because I still feel a little unsettled about it. I feel like this body of work is the current culmination of various elements I have been working with for a while. But there is always more to make, more to explore. I think it is good practice for an artist to constantly challenge herself, work outside of the comfort zone that we try to hard to find.

MS: How do you feel about this opportunity to present your work for Metro State’s new I CVA facility?
JG: I feel honored and excited about the CVA's new space. I am sad I will be out of town for the opening of the MERGE exhibition.

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Tuesday, August 3, 2010

MERGE featured Tuesday artist: Tony Stanzione

Tony Stanzione (‘83, art) artist and owner of Stanzione Studio LLC, a company he founded in 1990, enjoys the act of building. “Much of my time is spent building and rebuilding residences in New York City,” he explained in his artist’s statement. “This utilitarian work has deeply informed my artistic practice. I pursue the border between functional and non-functional objects.” Most recently he has been building art by assembling manufactured materials and objects, combined with fabricated parts and pieces. “This process forces me to encounter the manufactured environment (concrete, glass, shipping pallets, metal bed frames, pencils, doors, flotsam, river rocks and pillows) in which I live,” he wrote. “I am always searching, or hoping for the meaning of what I create to come bounding towards me.”

Metro State: How would you characterize your art?
Tony Stanzione: I would characterize my work as contemporary. The piece I am showing, "mug Head," is very formal with a combination of found and fabricated materials. There is no story behind the piece other than the parts seemed to find each other in my studio to create this really formal-like, turn of the century sculpture.

Created with flickr slideshow from softsea.

MS: Tell me about your latest work and why you are inspired by it.
TS: My last explorations are balls that are made from pieces of colored rope and sting that I gathered while at the beach. They are titled "Flotsam" and are displayed floating off the wall.

MS: In what ways did your Metro State professors influence your work?
TS: My teachers were superior crafts people. The late Roger Lang was an amazing crafts person and a kind and caring inspiration, as well as a friend after I graduated from MSCD.

MS: How has your work evolved since you graduated?
TS: I have explored many different materials, ideas and processes in the last 20 years. I went onto graduate school have made work using compressed air, glass, ice and now flotsam.

MS: Tell me why you submitted the pieces that you did for MERGE.
TS: The work I submitted were small pieces that I felt represented my interests in the last few years.

MS: How do you feel about this opportunity to present your work for Metro State’s new CVA facility?
TS: I think is wonderful I haven't shown in Colorado for a while.

MS: Is there anything I’m not asking you that you want to share with me?
TS: I have a somewhat large scale Piece called" Entrada Bienvenito" that I fabricated and showed in NYC in 2002 It's about the the Mexican American border Natural Migration. It consists of a series of seven-doors that spin on center pivots if you could find a place to permanently install the piece that would be great!

Read more about Stanzione's business by visiting his Web site.

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Tuesday, July 13, 2010

MERGE: Alumni Exhibition 2010 featured artist Mary Cay


Mary Cay (’98, art) is this Tuesday’s featured MERGE artist. According to her Web site, Cay’s first memory of clay “was as a six-year old child when a visiting artist in elementary school taught her how to make pinch, coil, and slab pots. The teacher chose her shiny red pinch pot, complete with lid and knob, to be exhibited at the 1961 Yellowstone County Fair in Billings Montana, an event that set a future career in motion.” Since then Cay’s work has been published in various magazines and books, and her ceramic sculptures and functional ware are in private and corporate collections and the artwork has traveled nationally and internationally.

Metro State: How would you characterize your art?
Mary Cay: Contemporary Ceramics with a nod to trompe l’ oeil in that the canvases are made of bone China.

MS: Tell me about your latest work and why you are inspired by it.
MC: My very latest body of work is a return to painting where I started as an artist 40 years ago. These paintings will be transferred into ceramic decals and applied to the ceramic canvases. The freakishness of nature inspires this new work.

MS: In what ways did your Metro State professors influence your work?
MC: To say the Metro professors influenced my work would be an understatement. They influenced my life. When I took Monica Visona’s Art History course, she was so engaging that I thought I might change my major, but the clay always calls one back. The course of Rodger Lang’s life impacted my own; and his philosophy on teaching continues to resonate with me.

MS: How has your work evolved since you graduated?
MC: My work has evolved slowly but surely and from functional ceramics to sculptural.

MS: Tell me why you submitted the pieces that you did for MERGE.
MC: I submitted the canvases because they are the most recently completed pieces and I always want to show the latest work.

MS: How do you feel about this opportunity to present your work for Metro State’s new CVA facility?
MC: I am deeply honored to be part of this show. Thanks so much for thinking of the alumni and I personally appreciate a juried exhibition.

To see more of Cay's work, please visit her Web site.

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Friday, July 9, 2010

Featured MERGE alumni artist Evan Colbert


Evan Colbert ('03, Art) is this week’s second featured MERGE artist. Though born in Seattle, Wash., in 1970, Colbert spent just a few years there before moving to the Denver area. He attended all three schools on the Auraria campus and lived in various cities on the Front Range, eventually graduating from Metro State with a BFA specializing in printmaking. He currently practices his trade at Shark’s Ink near Lyons, a Fine Art Print Publisher.

Metro State: How would you characterize your art?
Evan Colbert: Post-Pop Pop

MS: Tell me about your latest work and why you are inspired by it.
EC: My piece, "NeoiCons", is inspired my pictograms like one finds on signage. The twelve newly created pictograms featured in my painting are taken from these modern times. They deal with such issues as global warming, carbon footprints, the butterfly effect and even anti-matter. One panel that attempts to address rampant obesity is titled "Pepsi Generation" and features the familiar pictogram person but with an enlarged midriff and a Pepsi logo for a head.

MS: In what ways did your Metro State professors influence your work?
EC: I don't feel like I was influenced visually by many of my professors, but E.C. Cunningham certainly was an influence as far as instilling a strong work ethic and encouraging students to push themselves to the next level.

MS: How has your work evolved since you graduated?
EC: When I graduated I was doing my strongest work in printmaking, especially lithography, and also using the photo labs for photography, but also to incorporate photo elements into my prints. Once I left Metro, I no longer had access to the print or photo equipment, and therefore had to recreate my way of working from the bottom up. I began to concentrate mostly on paintings which sometimes bordered on the sculptural. I only took beginning painting in school, so I developed my own methods of painting through trial and error. Fortunately I have regained access to a lithographic press in recent years, and now my paintings often incorporate methods taken from printing. For example, NeoiCons is spray- paint stenciled onto panels, might as well be screen printed.

MS: Tell me why you submitted the pieces that you did for MERGE.
EC: I submitted the pieces because they were among my favorite and largest scale paintings from recent years.

MS: How do you feel about this opportunity to present your work for Metro State’s new CVA facility?
EC: I think it is very exciting that Metro has this new space, and I can't wait to see it decked out with art.

Each week, from now until August 28, the Office of Alumni Relations will do a short Q&A with one to three artists who are featured in the Center for Visual Art’s MERGE: Metro State Alumni Exhibition.

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Wednesday, June 23, 2010

Where are they now? Photographer & former Art Dept. Chair Barbara Houghton dances with Galileo

As one of the first female photo program heads in the United States and one of the major advocates for an off-campus Center for Visual Art (CVA), artist and former Art Department Chair Barbara Houghton made a lasting impression on Colorado with more than just her pictures.




“She left a very significant mark at Metro State in the Art Department, and she was an integral part of making the Center for Visual Art happen,” says Jennifer Garner, the CVA’s director and curator since 2005. “I know she would give credit to other people, but without her it wouldn’t exist.”

So what is Houghton doing now? According to her, she is dancing with Galileo, taking photos of women in India, and teaching photography at Northern Kentucky University (NKU). As well, she was recently invited to jury the Center for Visual Art’s MERGE, Metro State Alumni Exhibition 2010.

“It was a real honor to be able to jury this show,” Houghton says. “The work was really varied in approaches. You don’t want students to come out of a college and just keep doing work that looks just like the work of the people who taught them. I want them to have their own vision, and I saw a lot of that. I chose the work I thought had something special about it … with an original approach or that was more traditional, but really well executed.”

Houghton will be at the Center for Visual Art on the opening night of MERGE. And her visit will be a homecoming. Houghton first came to Metro State fresh out of graduate school in 1974. After spending time teaching photography, it eventually became her turn to be chair of the department.

“We had a rotating chair thing going on at the time,” she explained. “And it was my turn to be in the hot seat!” However, while it was a lot of work, Houghton appreciated the experience she gleaned in the position. She learned about budgets, met people outside the department she wouldn’t have connected with otherwise, and she says, “I learned a lot about being organized and seeing the global picture.”
Plus, she worked with the late Harry Gianneschi, founder and vice president of Metro’s office of institutional advancement, to convince the College to fund an off-campus gallery that would eventually become the CVA.

She and Gianneschi submitted “three or four” versions of a plan for the gallery. “We kept writing over and over again until it was like water torture until finally it was approved,” she says. And their idea was that it would evolve. “When we wrote it, we saw it as the big picture. We saw bringing in shows that would be good educationally for students and the art department, but also for the community.”
Aside from “running a pretty good photo program” that produced many successful artists and photographers, Houghton believes initiating the off-campus gallery was one of her most notable accomplishments at Metro State.

Garner agrees. “Barb’s legacy lives on through the CVA.” But, adds Garner, she brought so much more to Metro State. “She was so energetic and really knew how to personalize her teaching.” And, Garner adds, she was a visionary who was behind getting the first computer generated art going in the department.

“She created the first computer lab at Metro,” Garner recalls. “I remember these little tiny Mac computers, with tiny black and white screens, and she had animated something on the screen, and it was like, “whoa!!” It was a big thing back then. She always had her finger in what was going on, in what was new. She was really able to see and steer the department in a profound direction at the time.”

Though she left Metro State in the early 1990s to become Chair of the Art Department at NKU, Houghton never lost her inspiration to try new things. While on sabbatical for the past year, she recently visited India to photograph women helping women. And she’s created numerous exhibits based around the idea of “how do we become ourselves?”

“I have always been interested in how we find our way and how we became the people we are,” Houghton explains. “I work with metaphors about that.” One of her favorite exhibits was an installation based on her fascination with discovering what made Galileo who he was. It featured photos she took of all the places where Galileo visited and lived, a video of her “dancing with Galileo” (she had a friend dress up as Galileo with whom she danced), music by Galileo’s father, and a narrative about Galileo that went around the walls of the exhibit, among other things.

“This piece was about my love affair with Galileo,” she explains. “The more I read of his writings, the less I knew him. He became this more real figure for me, with lots of flaws, but he was still my hero.” To see the exhibit, click here.

Now her focus is on finishing the piece on India. Then, she says, she’ll attack the long “to do” list that she has formed over the years. She works in her studio every day, whether she is teaching or not.

Houghton admits that while she is content, she often misses Colorado and Metro State. “The students we had at Metro were really sophisticated,” she explains. “A lot of times when you have students who are just out of high school, they aren’t as determined to get an education. They don’t seem to care or want it bad enough. But most Metro State students really wanted the education when they came, and that was a blessing.”

And Houghton’s former Metro State students are as respectful of her as she is of them. According to Gallery Sink owner and former student of Houghton, Mark Sink, Houghton "was one of the first to make me realize you can make contemporary experimental fine art with a camera. She believed in me and had a sparkle and excitement in her eye. Her passion was (still is) infectious. We were flying making amazing bodies of work, filling walls for critiques while the tradional photography class next door had not taken a picture yet!"

Garner echoes Sink’s opinion. “She was a mentor; she had a huge impact on my college career here at Metro, both through multiple classes that I took from her and a study abroad I did with her in London. She’s an amazing educator, amazing person, and amazing artist.”

To read more about Houghton, visit her Web site by clicking here.Bookmark and Share